### Framework What kind of intelligence is lived, mediated, and enabled through craft? What type of knowledge does craft showcase, embody, or represent beyond nationalistic frameworks or utopian understandings of craft as an act of resistance? This volume looks at craft beyond binary oppositions and boundaries, which have been shaped by colonial and Eurocentric dominant narratives; it sees craft as a process which is embodied and emplaced, lived and remembered, imagined and contested, through material engagements, situated practices, technological constraints, and affective memories; it acknowledges histories of movement, displacement, and migration, and considers craft from a transregional and transdisciplinary perspective. What does craft mean for different people across regional, economic, social, and cultural borders? Some keywords to inspire: ● Learning by making ● Haptic knowledge ● Lived experience ● Communities of practice ● Social relations ● Possibilities and limitations in technologies ● Economic opportunities ● Hope/ emotions ● History-making ● Place-making ### Content formats To reflect the idea that knowledge is dynamic and co-created, contributions should be co-authored by two people (or more) in the format best suited for a dialogical encounter (dialogue, interview, parallel essays, annotated essay, polyphonic essay etc...). Different languages can be included and translated. The journey of such content creation can lead to reflective comments on the process, method, and ethics of knowledge production, including of craft itself. We believe that this dialogical format resonates with the collective nature of craft processes and knowledge production.